(Source: allisonargents)

There’s a reason we look exactly the same, why the prints match and the dna is all screwed up.

entertainmentweekly:

Neil Patrick Harris is returning to Broadway next spring to star as Hedwig and the Angry Inch’s titular transgender rock star.

We repeat: NPH IS STARRING AS HEDWIG ON BROADWAY.

THIS IS SO IMPORTANT, YOU GUYS.


That’s an alien bruv, believe it.

That’s an alien bruv, believe it.

(Source: strawberrysurfers)


Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)

Artist’s statement: 

“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 

Suppose you shoot a whole movie in a single frame? 

And the answer: You get a shining screen. 

Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 

That evening, I developed the film, and the vision exploded behind my eyes.”

(Source: likeafieldmouse)

"Travel is little beds and cramped bathrooms. It’s old television sets and slow Internet connections. Travel is extraordinary conversations with ordinary people. It’s waiters, gas station attendants, and housekeepers becoming the most interesting people in the world. It’s churches that are compelling enough to enter. It’s McDonald’s being a luxury. It’s the realization that you may have been born in the wrong country. Travel is a smile that leads to a conversation in broken English. It’s the epiphany that pretty girls smile the same way all over the world. Travel is tipping 10% and being embraced for it. Travel is the same white T-shirt again tomorrow. Travel is accented sex after good wine and too many unfiltered cigarettes. Travel is flowing in the back of a bus with giggly strangers. It’s a street full of bearded backpackers looking down at maps. Travel is wishing for one more bite of whatever that just was. It’s the rediscovery of walking somewhere. It’s sharing a bottle of liquor on an overnight train with a new friend. Travel is “Maybe I don’t have to do it that way when I get back home."
— Nick Miller, Isn’t It Pretty To Think So? (via electric-wish)

(Source: quotethat)

Orphan Black meme: [1/5] favourite scenes (in no particular order)

ORPHAN BLACK MEME:
[3/10] Characters: Felix Dawkins